Friday, December 13, 2019

Divine Chants of Siva - Nataraja





Nataraja (Sanskrit: नटराज, Naṭarāja) is a depiction of the Hindu god Shiva as the cosmic ecstatic dancer. His dance is called Tandavam or Nadanta, depending on the context of the dance. The pose and artwork is described in many Hindu texts such as the Anshumadbhed agama and Uttarakamika agama, the dance relief or idol featured in all major Hindu temples of Shaivism.

The word Nataraja is a Sanskrit term, from नट Nata meaning "act, drama, dance" and राज Raja meaning "king, lord"; it can be roughly translated as Lord of dance or King of dance. According to Ananda Coomaraswamy, the name is related to Shiva's fame as the "Lord of Dancers" or "King of Actors".

As the Lord of Dance, Nataraja, Shiva performs the Ananda Tandava (dance of bliss), the dance in which the universe is created, maintained, and dissolved.

He dances within a circular or cyclically closed arch of flames (prabha mandala), which symbolically represent the cosmic fire that in Hindu cosmology creates everything and consumes everything, in cyclic existence or cycle of life. The fire also represents the evils, dangers, heat, warmth, light and joys of daily life. The arch of fire emerges from two makara on each end, which are water creatures and part of Hindu mythologies.

His legs are bent, which suggests an energetic dance. His long, matted tresses, are shown to be loose and flying out in thin strands during the dance, spread into a fan behind his head, because of the wildness and ecstasy of the dance.

On his right side, meshed in with one of the flying strands of his hair near his forehead, is typically the river Ganges personified as a goddess, from the Hindu mythology where the danger of a mighty river is creatively tied to a calm river for the regeneration of life.

The upper right hand holds a small drum shaped like an hourglass that is called a ḍamaru in Sanskrit. A specific hand gesture (mudra) called ḍamaru-hasta (Sanskrit for "ḍamaru-hand") is used to hold the drum. It symbolizes rhythm and time.

The upper left hand contains Agni or fire, which signifies forces of creation and destruction. The opposing concepts show the counterpoise nature of life.

A cobra uncoils from his lower right forearm, while his palm shows the Abhaya mudra (meaning fearlessness in Sanskrit), suggesting not to fear nearby evil, as well as evil and ignorance surrounding the devotee as he or she follows the righteousness of dharma.

The lower left hand is bent downwards at the wrist with the palm facing inward(away from the viewer) and points towards the raised left foot so that it is diametrically opposite to the lower right arm(Abaya mudra).

The face shows two eyes plus a slightly open third on the forehead, which symbolize the triune in Shaivism. The eyes represent the sun, the moon and the third has been interpreted as the inner eye, or symbol of knowledge (jnana), urging the viewer to seek the inner wisdom, self-realization. The three eyes alternatively symbolize an equilibrium of the three Guṇas: Sattva, Rajas and Tamas.

The dwarf on which Nataraja dances is the demon Apasmara purusha (Muyalaka, as it is known in Tamil), and which symbolizes action and dance that leads to victory over demonic evil and ignorance.

The slightly smiling face of Shiva represents his calmness despite being immersed in the contrasting forces of universe and his energetic dance.

*****

When you realize Shivoham (I am Shiva), then, you have all the happiness, all the auspiciousness that there is. Shiva is not to be sought on the peak of a distant range of mountains, or in some other special place. You must have heard that sin and merit are inherent in the acts that men do; so too, Shiva is inherent in every thought, word and deed, for He is the energy, the power, the intelligence that is behind each of them.

Lyrics of the mantra:

Nataraja Nataraja
Nartana Sundara Nataraja

Siva Raja Siva Raja
Sivakami Priya Siva Raja

Shidambaresha Nataraja
Parthi Purisha Siva Raja

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